Until recently the 'medieval organ' existed in our imagination only as a picture.
There's a very important reason that the manner in which these early organs were
played was a riddle: there is little or nothing left of medieval musical notation
that seems to refer to 'organ music'.
Now that the first successful playable reconstruction of a medieval organ has been made, we can try to rediscover the missing links in the earliest organ tradition. The improvisations played on this CD are a first step in this direction.
| 1. | Phrygic improvisation |  |
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| 2. | Rosas das rosas e Fror des frores (Cantiga de Santa Maria 10) | [source: Ms. El Escorial B.I.2 (circa 1270)] | |
| 3. | Lydian improvisation after a textless motet | [source of the motet: Ms. London BM Harlianus 978 (middle 13th century)] | |
| 4. | Verbum bonum et suave (Mariasequence) | [source: Ms. Utrecht UB 417 (13th century), Ms. Cim I 39 Oldenburger Landesbibliothek (ca. 1445)] | |
| 5. | Kyrie improvisation | ||
| 6. | Kyrie | [source: Antifonale Monasticum (10th century)] | |
| 7. | Caritas abundat in omnia (antiphone), Hildegard von Bingen (1098-1179) | [source: Ms. 9, Abbey of Dendermonde] | |
| 8. | Cantus de Domina post Cantum Aaliz (lai) | [source: London British Library, Ms. Arundel 248 (13th century)] | |
| 9. | Dorian improvisation 1 | ||
| 10. | Flos Vernalis | [source: Lochamer Liederbuch (1452)] | |
| 11. | Dorian improvisation 2 |